"The Resonance of Unseen Things" challenges the materiality of images through the utilization of alternative photographic techniques. I draw inspiration from narratives such as UFO sightings, religious experiences, and the uncanny, concurrently reconsidering memory as a personal and inventive practice. This approach prompts a critical examination of the role of images as an expression of belief.
Employing film photography, the resulting images undergo a meticulous process of scanning and digitization before encountering a transformative phase—laser etching. As the images become seared into the substrate, they impart a lingering scent of ash.
My focus lies in the dissonance between the tangible materiality of images and the intangible realm of belief. I revel in the inherent rupture and errors in translation that occur between analog and digital, as well as between the conceptual realm and tangible objects. Through the act of remembrance as an inventive process, we gain new insights into overwhelming and incomprehensible experiences.