The Resonance of Unseen Things" Images straddle the seen and unseen. The stereoscopic image, creating a third virtual image visible only to the human eye, offers an early form of VR—an illusion of depth that exists in perception alone. This method of seeing without technology resonates with my process, where film photography undergoes digitization and laser etching, searing memory into material and leaving behind traces of transformation. Both invite us to question: where do images truly exist? In light, on paper, or within belief?
My work explores the dissonance between the materiality of images and the intangible nature of belief. I embrace the ruptures that emerge in the translation between analog and digital, between concept and object.